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This is a collection of essays that analyse cases of injustice across an array of legal systems. Differences in court procedure are explained as the contributors ask what role the respective criminal justice systems play in preventing or generating wrongful convictions.

• Sales Rank: #5235589 in Books
• Brand: Brand: Temple University Press
• Published on: 2008-07-28
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.30 pounds
• Binding: Hardcover
• 326 pages

Features

• Used Book in Good Condition

Review

"An important step in showing that even the best criminal justice systems occasionally convict the innocent. Huff and Killias, two of the world’s most accomplished criminologists, have given us a collection of essays that are both first-rate and truly sobering"
—Michael L. Radelet, University of Colorado, and author of In Spite of Innocence

About the Author

C. Ronald Huff is Dean of the School of Social Ecology and Professor of Criminology, Law and Society as well as Sociology at the University of California, Irvine. He is a Fellow and Past-President of the American Society of Criminology and the author of numerous scholarly articles and 12 books, including Convicted but Innocent: Wrongful Conviction and Public Policy.

Martin Killias is Professor of Criminal Law and Criminology at the Universities of Zurich and Lausanne, and a part-time Judge in the Federal Supreme Court of Switzerland. He received the Sellin-Glueck Award of the American Society of Criminology in 2001. He has been the first President of the European Society of Criminology, co-founder of the International Crime Victim Surveys, and Chair of the European Sourcebook of Crime and Criminal Justice Statistics.

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0 of 0 people found the following review helpful.
This Item were supppose to be sent to Myron Moton ...
By SarahSmile
This Item were supppose to be sent to Myron Moton DM 8775 not me, his mother! I hope he received it!

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[H967.Ebook] Free PDF Digital Cinematography: Fundamentals, Tools, Techniques, and Workflows, by David Stump

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With the shift from film to digital, a new view of the future of cinematography has emerged. Today’s successful cinematographer must be equal parts artist, technician, and business-person. The cinematographer needs to master the arts of lighting, composition, framing and other aesthetic considerations, as well as the technology of digital cameras, recorders, and workflows, and must know how to choose the right tools (within their budget) to get the job done. David Stump’s Digital Cinematography focusses primarily on the tools and technology of the trade, looking at how digital cameras work, the ramifications of choosing one camera versus another, and how those choices help creative cinematographers to tell a story.

This book empowers you to both correctly choose the right camera and workflow for your project from today’s incredibly varied options, as well as understand the ins and outs of implementing those options. Stump sheds a light on the confusing advantages and disadvantages of shooting theatrical features using digital technology and what it can or can’t do.

Topics covered include:

* Detailed coverage of Arriflex, Blackmagic, Canon, Ikonoskop, Panasonic, Panavision, Phantom, Red, Silicon Imaging, Sony, and Weisscam digital motion picture cameras

* Coverage of a wide variety of lenses, including Angenieux, Canon, Cooke, Fujinon, Hawk, Leica, Panavision, Red, Schneider, Sony, UniqOptics, Vantage, and Zeiss

* Coverage of recorders, displays, and look management tools

* Exposure theory tips ― learn how to correctly expose digital cameras

* Focusing tips ― learn how to focus digital cameras correctly

* Checklists to help design digital workflows

* Practical tips on preparation ― prepare for shooting a digital motion picture like a professional

* Camera set-up and operation, color management, digital intermediates, 3D stereo cinematography, future trends, and much more

If you aspire to be a successful cinematographer in this new digital age, or if you already are a working cinematographer in need of a resource to help you stay on top of your game, this is a must-read book.

• Sales Rank: #401422 in Books
• Published on: 2014-05-09
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x 7.50" w x 1.00" l, 2.40 pounds
• Binding: Paperback
• 494 pages

Review

"David Stump shares decades of sage experience, knowledge, and expertise in cinematography and the filmmaking process. Including insight from various notables in respective fields, Digital Cinematography is an important, engaging book essential to understanding existing theory, tools, and applications for the aspiring and working cinematographer, filmmaker, and those interested in how and what we see."

- Keanu Reeves, Producer, Side by Side; Actor, 47 Ronin; A Scanner Darkly; The Matrix; Bill and Ted’s Excellent Adventure

About the Author

David Stump, ASC has worked on numerous motion pictures and television productions as Director of Photography, as Visual Effects Director of Photography, and as a Visual Effects Supervisor, garnering Emmy nominations and an Academy Award for Scientific and Technical Achievement. A member of the Producer's Guild of America (PGA), the Visual Effects Society (VES), the Society of Motion Picture & Television Engineers (SMPTE), the Academy of Television Arts & Sciences (ATAS), and the Academy of Motion Picture Arts and Sciences (AMPAS), Stump has worked in Digital Visual Effects for over 25 years, since the advent of Computer Generated Images for film. In 2001 he was accepted for full membership into the American Society of Cinematographers, where he is currently chairman of the Camera and Metadata Subcommittees of the ASC Technical Committee.

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0 of 0 people found the following review helpful.
Comprehensive, easy to read; a valuable reference for everyone in digital image production.
By Kinemechanica
Much like Alexis Van Hurkman's book, Color Correction Handbook: Professional Techniques for Video and Cinema (2nd Edition) (Digital Video & Audio Editing Courses) has become the defacto standard in reference for digital color grading, I predict this book will become the defacto standard for Cinematographers seeking in-depth information on the fundamentals behind digital cinema image capture. David Stump takes great pains to delve into all aspects of how digital sensors work, the math behind image capture, the complexities of various imaging color spaces, current digital camera systems and a plethora of other issues germane to the subject, but conveys it in a easy-going, informative manner. I especially appreciate how he reaches back into the History of Cinema Production to tie the current technology to the past; showing that while there are revolutionary aspects to digital production, it in the end is a continuation of the process of moving image production evolution, and is yet another tool in the arsenal for moving image production, rather an an island onto itself. While targeted specifically at cinematographers, this book should not be overlooked by any member of the image production chain. The comprehensive information contained within is valuable to anyone who wishes to understand digital image production from start to finish and should be on the shelf of any DIT, Editor, Colorist or person with a need to understand the underlying mechanisms that are used to create a digital moving image. Highly recommended.

0 of 0 people found the following review helpful.
Lots Of Info, But A Little Over-The-Top
By GameMaker
I'm very impressed by what the book covers. It extensively covers the technologies that digital cameras use. Everything from the sensor to the lens, and then discusses things like color spaces, sampling rates, aspect ratios etc. The the last half of the book is devoted to camera setup, workflows, and displays (monitors) and recorders. There's also mini sections on specific info about many of the pro/prosumer cameras (as of ~2013).

There's certainly some good (even great) info in this book. I especially enjoyed the section on lenses and camera setup/operation. What I really didn't like was the first half of the book, for me it was painful to slog through that info because of how it was presented, and that was information that I was actually very interested in. For me though, and let me preface this by saying that I have an engineering degree and have had lots of college level math and physics, I would have much preferred much fewer equations and graphs and charts and theorems, and history., and much more qualitative discussion about achieving various results, anecdotes about in-the-field situations etc. But judging by the other reviews, I may be in the minority with that opinion, which is fine.

3 of 4 people found the following review helpful.
The best book on Digital Cinematography available!
By Christopher Brown
A completely thorough investigation of digital cinema filled with information about every format and methodology. I highly recommend this book.

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Shift Clinic design to keep pace with the evolving healthcare industry

Modern Clinic Design: Strategies for an Era of Change is a comprehensive guide to optimizing patient experience through the design of the built environment. Written by a team of veteran healthcare interior designers, architects, and engineers, this book addresses the impacts of evolving legislation, changing technologies, and emerging nontraditional clinic models on clinic design, and illustrates effective design strategies for any type of clinic. Readers will find innovative ideas about lean design, design for flexibility, and the use of mock-ups to prototype space plans within a clinic setting, and diagrammed examples including waiting rooms, registration desks, and exam rooms that demonstrate how these ideas are applied to real-world projects.

Spurred on by recent healthcare legislation and new technological developments, clinics can now offer a greater variety of services in a greater variety of locations. Designers not only need to know the different requirements for each of these spaces, but also understand how certain design strategies affect the patient's experience in the space. This book explores all aspects of clinic design, and describes how aesthetics and functionality can merge to provide a positive experience for patients, staff, and healthcare providers.

• Understand how recent industry developments impact facility design
• Learn how design strategies can help create a positive patient experience
• Examine emerging clinic models that are becoming increasingly prevalent
• Analyze the impact of technology on clinic design

A well-designed clinic is essential for the well-being of the patients and health care providers that occupy the space every day. The healthcare industry is shifting, and the healthcare design industry must shift with it to continue producing spaces that are relevant to ever-evolving patient and worker needs. For complete guidance toward the role of design, Modern Clinic Design is a thorough, practical reference.

• Sales Rank: #811024 in Books
• Brand: Vickery, Christine/ Nyberg, Gary/ Whiteaker, Douglas
• Published on: 2015-04-20
• Original language: English
• Number of items: 1
• Dimensions: 9.40" h x .90" w x 8.25" l, 2.26 pounds
• Binding: Hardcover
• 336 pages

From the Back Cover

Modern Clinic Design Strategies for an Era of Change

Between new healthcare legislation, shifting demographics, and advances in technology, clinics are one of the most rapidly evolving sources of healthcare in the United States. This book provides designers and owners with everything they need to know to understand these shifting factors and address them through the design of the built clinic environment. It covers the practical elements of clinic design—from front entry and waiting area to exam room—for clinics of all types, from traditional community clinics to newer clinic models that might be located adjacent to a hospital, in a commercial storefront, or within a retail pharmacy or big box store. Specific design strategies and examples of existing projects show how each of these spaces can be designed to optimize the patient experience. Innovations such as lean design, design for flexibility, and prototyping spaces with mock-ups will be covered within the clinic setting.

• Distills current developments in the healthcare industry—from legislation and government regulations to technological developments—and the related impact on the design of built environments
• Illustrates design strategies that can help create a positive patient experience, both in traditional and emerging clinic types
• Diagrams all aspects of clinic design
• Provides examples of the emerging types of clinic models that will grow in prevalence in the coming years, including clinics within pharmacies and big box retailers, community clinics, clinics adjacent to and affiliated with traditional hospitals, medical home model clinics, and healthcare boutiques
• Analyzes the impact of technology on clinic design
• Offers innovative ideas about lean design, design for flexibility, and the use of mock-ups to prototype space plans within a clinic setting

About the Author

Christine Guzzo Vickery, CID, EDAC, is Vice President and Senior Interior Designer with HGA Architects and Engineers and leads HGA's Healthcare Research Collaborative. She additionally speaks at national healthcare conferences, contributes regularly to industry journals, and writes a monthly Blog for Healthcare Design Magazine. She has a Bachelor of Arts from the University of Iowa.

Gary Nyberg, RA, is a retired Healthcare Principal from HGA Architects and Engineers, where he specialized in medical planning, master planning and design for more than 30 years. He has a Bachelor of Architecture from the University of Minnesota.

Douglas Whiteaker, AIA, is a Healthcare Principal with HGA Architects and Engineers. He teaches sustainable design at Cosumnes River College in Sacramento, and leads Architect Registration Exam prep seminars. He has a Master of Architecture from the University of Nebraska-Lincoln, and a Bachelor of Science in Advanced Technical Science in Architecture from Southern Illinois University-Carbondale.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Essential New Healthcare Design Book
By Lorna D
If you design healthcare spaces you will want “Modern Clinic Design” on your bookshelf. This 336 page hardback from Wiley is an essential and practical guide.

Ambulatory care is one of the most rapidly growing parts of healthcare. This book is a comprehensive review of contemporary design practices. Given the rapidly changing nature of healthcare delivery the book wisely looks into the future and emphasizes the need for flexibility.

This book covers all aspects of clinic design including emerging topics such as clinics in retail settings. The book explains the strengths and weaknesses of lean design as it reminds us that that cost control is a key issue. Real-world examples from all over the US are used extensively to illustrate the ideas discussed in the text.

In addition to traditional design topics there is a helpful overview of legislation, government regulations and technological developments that should help designers better understand the unique needs of their clients. Thankfully these complex topics are covered concisely using easy-to-understand language.

I only have a couple of minor complaints. Artwork is hardly mentioned at all except for a brief entry on page 40. The other minor issue is that the projects are drawn from the US, especially the Midwest. Ideally there would be examples of clinic design from around the world. However the ideas covered in the book would apply to projects anywhere.

This 336-page book is printed on high quality paper and is filled with hundreds of illustrations and photographs in full color.

The writing is authoritative and clear. It was written by 3 leading healthcare Designers from HGA: Interior Designer Christine Guzzo Vickery and architects Gary Nyberg and Douglas Whiteaker.

Highly recommended for interior designers, architects and hospital staff involved with healthcare design.
Review by Henry Domke

1 of 1 people found the following review helpful.
Textbook & Coffee Table book in one
By MussSyke
What first struck me about this book is that it could almost be a coffee table book, with its many photos, diagrams, layouts, and well spaced/headed text. For an Engineer like myself - and probably plenty of architects and even interior designers - this is easy to pick up and become engrossed in, even if you just want to pick a random spot to start reading.

Soon after, I realized just what a wealth of information is in here. I've dealt with some military hospitals from a communications perspective, and from that, I already knew just how fickle dealing with clinics can be: everything is different than you would expect from other places. While this book doesn't go into design of utilities, communications, or other physical facilities, it is strong and in-depth on its subject matter, which is more the functional design and aesthetic appeal to ease the patient as she is quickly processed through as efficiently as possible.

It actually makes you realize just how purposefully one-size-fits-all and faceless healthcare is becoming. This reminds me of what I think about all other businesses, how they have everything thought out how to squeeze every last drop of blood (cent) out of the "average" customer, which - at least I like to think - often doesn't apply to me. If that involves pretending to care by putting the patient in decent surrounds, then so be it. This is no fault of the book, obviously.

Clearly, the book is a professional, thorough analysis that will appeal to anyone associated with the industry, and could easily be required reading for architectural students.

1 of 1 people found the following review helpful.
A Gift for Someone Else Had Me Perusing and Curious
By Satia Renee
I picked up this book for my daughter-in-law who is currently taking courses in interior design. I knew she would find it interesting but I didn’t expect to find myself flipping through the book myself, discovering some insightful photographs of different healthcare facilities that made me better appreciate the care that goes into designing physical space for people—from patients to physicians. As I continued flipping I noticed sections in the chapters devoted to specific issues that I honestly never considered a significant aspect in treatment and, yet, once I saw them they seemed so obvious. Creating an efficient yet welcoming space is an art form I don’t know that I fully appreciated. Sure, I can see elements of Bauhaus or even Asian influences but to see specific influences either from the local environment or past architects surprised me. If I, a novice to the idea of interior design, can find this book so engaging, I can only imagine what my daughter-in-law will think. I’ll be sure to update this review when she’s told me what she thinks.

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• Published on: 1707
• Binding: Paperback

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From one of the greatest rock guitarists of our era comes a memoir that redefines sex, drugs, and rock 'n' roll

He was born in England but reared in L.A., surrounded by the leading artists of the day amidst the vibrant hotbed of music and culture that was the early seventies. Slash spent his adolescence on the streets of Hollywood, discovering drugs, drinking, rock music, and girls, all while achieving notable status as a BMX rider. But everything changed in his world the day he first held the beat-up one-string guitar his grandmother had discarded in a closet.

The instrument became his voice and it triggered a lifelong passion that made everything else irrelevant. As soon as he could string chords and a solo together, Slash wanted to be in a band and sought out friends with similar interests. His closest friend, Steven Adler, proved to be a conspirator for the long haul. As hairmetal bands exploded onto the L.A. scene and topped the charts, Slash sought his niche and a band that suited his raw and gritty sensibility.

He found salvation in the form of four young men of equal mind: Axl Rose, Izzy Stradlin, Steven Adler, and Duff McKagan. Together they became Guns N' Roses, one of the greatest rock 'n' roll bands of all time. Dirty, volatile, and as authentic as the streets that weaned them, they fought their way to the top with groundbreaking albums such as the iconic Appetite for Destruction and Use Your Illusion I and II.

Here, for the first time ever, Slash tells the tale that has yet to be told from the inside: how the band came together, how they wrote the music that defined an era, how they survived insane, never-ending tours, how they survived themselves, and, ultimately, how it all fell apart. This is a window onto the world of the notoriously private guitarist and a seat on the roller-coaster ride that was one of history's greatest rock 'n' roll machines, always on the edge of self-destruction, even at the pinnacle of its success. This is a candid recollection and reflection of Slash's friendships past and present, from easygoing Izzy to ever-steady Duff to wild-child Steven and complicated Axl.

It is also an intensely personal account of struggle and triumph: as Guns N' Roses journeyed to the top, Slash battled his demons, escaping the overwhelming reality with women, heroin, coke, crack, vodka, and whatever else came along.

He survived it all: lawsuits, rehab, riots, notoriety, debauchery, and destruction, and ultimately found his creative evolution. From Slash's Snakepit to his current band, the massively successful Velvet Revolver,Slash found an even keel by sticking to his guns.

Slash is everything the man, the myth, the legend, inspires: it's funny, honest, inspiring, jaw-dropping . . . and, in a word, excessive.

• Sales Rank: #2909006 in Books
• Published on: 2008
• Format: Import
• Original language: English
• Number of items: 1
• Dimensions: 7.76" h x 1.46" w x 5.12" l, .73 pounds
• Binding: Paperback
• 352 pages

Review
“Wonderfully frank.” (Entertainment Weekly)

“Entertaining and educational...a crash course for aspiring rock gods.”” (Spin magazine)

About the Author

Slash, Velvet Revolver founding member and guitarist, lives in California with his wife, Perla, and their two children.

Anthony Bozza is the author of four New York Times Bestsellers, including Whatever You Say I Am: The Life and Times of Eminem, Slash, co-written with Slash and the #1 bestselling Too Fat to Fish, co-written with Artie Lange. Bozza was a staff writer and editor for Rolling Stone magazine for seven years, during which he profiled a diverse range of artists from Eminem and the Wu-Tang Clan to Trent Reznor and U2. He lives in New York City.

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0 of 0 people found the following review helpful.
Introspective talented guy who just happens to be an `eternal teenager`
By George M.
While Saul Hudson (Slash) turns out to be a warm and friendly, introspective talented guy who just happens to be an `eternal teenager` with a few idiotic premises, I'm going to drop one rating star on this oversized treatment of his life because of narrative repetition. We get it that he was heavily into booze and opiates all through his youth and adulthood until age 41, a year before this 2007 autobio ends. There is a solid 30% of the book describing the details of how the music was created through chaos and the amazing GNR story from top to bottom -- which is done very well -- and his unique upbringing by his very talented parents. But most of it is saturated with continuous drug exploits, each of which had a sameness to them. Drugs were a big part of the rock star image back in the day and these guys were all throwbacks; I have no argument about what they did or didn't do to party. That's life. The reader does realize this is a big part of Slash's life story, and he does clean up at the very end as the Velvet Revolver stage emerges, but Saul's booze-to-heroin-and-vice-versa addiction cycle is so repetitious in the book's pacing and so similar each time he describes it, that his narrative drags because you've heard it many times already. Coupled with the manuscript's long length, it did get a little monotonous. However, if you hang in there to the end as I did, you will discover a truly compassionate, intelligent, thoughtful man with the bright spirit of a great musician!

0 of 0 people found the following review helpful.
Excessively long and boring
By Sarahlea
Slash talks about a lot of things in this book, but most of them don't go anywhere to form much of a plot. It gives it the feel of reading a journal, but a very boring journal, more intent on documenting what drugs he did, where he was, and all of his relapses than anything truly meaningful. The juicy subjects he brings up that you really want to know about, he skims over, and seemingly doesn't know much more than anybody else why Guns broke up. I think the fact that he was on drugs so much of the time made the telling of his story disappointing, because there's a lot he wasn't fully present for, and doesn't remember enough to recount meaningfully. Not only that, a lot of misprints, errors, and awkwardly worded sentences make it difficult to enjoy this book. It was interesting to read about his early years, but other than that, he comes off as sounding very flip about everything. It makes me wonder if he even really wanted to write his story, or if he felt pressured to for some reason, and just wanted to get it over with. I was pretty disappointed with it.

0 of 0 people found the following review helpful.
Slash the Likeable Rogue
By G. YEO
My fourth rock biography in a row brings me to Slash of G & R. Slash is one of the last few classic rock icons from the modern era, which is why I read this. And as he describes it himself, Guns and Roses might well have been the last of its kind before Nirvana and grunge came in & morphed rock music.

I've always appreciated Slash as being a great axman and someone who could have gone further with G & R and rock music had they continued. But as we all know, G & R became Axl Rose Inc. and that was that.

As an individual, Slash has a tabloid worthy past and personality of his own that keeps his tale an interesting one. Despite careening through a chaotic childhood as a juvenile shoplifter, Slash eventually found his true calling through the guitar. It's like Arthur finding Excalibur, as recounted by Slash. Without the guitar by his side, he would have remained a misfit without a focus. In the book, we find out about how his dedication to his craft kept him going until his fateful encounter with Guns & Roses. Although the story of G & R's rise has been documented here and there, it's nice to hear from one of the seminal members.

As with most rock bios - drugs, booze and sex come with the territory. A chronic dope fiend, there isn't much to admire about Slash, but his honesty, childlike charm, and mostly likeable personality come through. In spite of everything, Slash's life really was a train wreck from which he re-emerged from again and again. From being the biggest band on earth, we get some insight into how Axl Rose's need for control torpedoed the band's future - and Slash's ability to continue. But the story's not done yet...this book was released back in 2009 and takes us halfway into Velvet Revolver's journey, so the book is probably due for an update...

Whatever the case, kudos to Slash for a highly readable story, and moving on after G & R to other pursuits, and starting a family.

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Peeling back layers to reveal cockpits, engines, hyperdrives, construction secrets, and much more, the Star Wars: Episode III Incredible Cross-Sections is a must-have for any Star Wars fan. From the smallest detail of the Trade Federation Cruiser to the thundering of a Republic Battle tank, this is the most definite guide to the vehicles and spaceships of Episode III.

• Sales Rank: #644320 in Books
• Brand: Brand: DK CHILDREN
• Published on: 2005-04-02
• Released on: 2005-04-02
• Original language: English
• Number of items: 1
• Dimensions: 14.22" h x .36" w x 10.78" l, 1.40 pounds
• Binding: Hardcover
• 32 pages

Features

• Used Book in Good Condition

About the Author
Dr. Curtis Saxton is the author of Star Wars: Attack of the Clones Incredible Cross-Sections.
Highly acclaimed illustrators, Richard Chasemore and Hans Jenssen have co-illustrated four Star Wars Cross-Sections and three Inside the Worlds of Star Wars books for DK.

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13 of 13 people found the following review helpful.
Quite good and informing
By BaronFellDown
Not a bad book at all! I recommend it. I liked the sneak peek into Episode III (yes, I'm spoiled on it already) and seeing the internal workings of the ships was nice.

Here were my frustrations.

Okay, for starters, the inclusion of two pages devoted to Yoda's escape pods is criminal. Unless these escape pods end up doing like the same as the Jedi Interceptors (which I still don't like nearly as much as the Jedi Starfighters from AotC) in the movie in terms of how big of a role they play, which I doubt, they weren't needed. Nobody really cares, I think, what internal luxuries were afforded to Yoda in his tiny little Wookiee escape pod for the few seconds that it features on-screen. If they try to script Yoda's pod escaping from Kashyyyk into a battle sequence in the upper atmosphere or in space, it would be inane. The thing about Dagobah being one of the lost planets is interesting, though. Car'das must have slipped word of the name to someone after he escaped from that Bpfassh Dark Jedi. Anyway, it would have been a better use of page space, I think, to have Bail's speeder, or Padmé's yacht, or the AT-PW or whatever it's called, or just something besides boring escape pods, the Star Wars equivalent of life rafts!

Also I noticed that it wasn't quite as engaging as the other Cross-Sections before it, which showed you the characters and the key places that the characters explored, etc.

However, all in all, it was a good and informing read, with some deliciously sinister backstory for the Invisible Hand and some explanation as to how the Venator Star Destroyer and the ARC-170 fit into their other Expanded Universe "cousins" (I think I even saw a reference to the Planetary Fighter from that old PC space flight sim, X-wing Alliance, in there!)

11 of 11 people found the following review helpful.
An Excellent Work of Star Wars Art
By Henry Edwards, Jr.
STAR WARS: REVENGE OF THE SITH - INCREDIBLE CROSS-SECTIONS is so visually captivating and interesting that I don't quite know how to begin describing it. The incredibly detailed, superbly painted cutaways of the major vehicles and vessels of STAR WARS: Episode III provide for a unique experience in literature.

This book commands your attention as it forces you to soak in several intricately detailed paintings of the amazing craft of Episode III. The text that accompanies each picture provides excellent descriptions of each ship's engines, weapons systems, radiation, shielding, etc. and shows you how each individual part of the ship works. (The descriptions go in-depth so far, in fact, that they almost leave me wondering if any of the technology of STAR WARS might be possible. The credit for this must go to the author's degree in theoretical astrophysics.) Each craft also has a "Data File" text box for a quick analysis of the manufacturer, dimensions, hyperdrive, and maximum speed of the specific vehicle.

In contrast to all of the pros, I do have a couple of cons: grammar in some parts of the book is not quite as good as it should be for such a major work. Also, I found that beneath the protective jacket, the hardcover has little splotches of glue smeared on it. Though this isn't a problem at all for me, it might be one for someone who must have their books looking perfectly clean inside and out.

Overall, this book is an excellent work of art that is certainly worthy of STAR WARS fans' time and money. Its commitment to perfection in its utterly detailed and spectacular paintings and its very good descriptive writing easily give this book the power to hammer out its very minor flaws and earn itself 5 stars.

8 of 10 people found the following review helpful.
Mostly good, but missing some interesting vehivales
By Drew
This is on the whole an excellent book that has cross-sections of almost all of the key vehicles participating in The Revenge of the Sith. Of particular interest are the cross-sections of the Vector-Class Star Destroyers and the big-wheeled infantry armored-personnel carrier. I especially like how the vehicles that appear in Return of the Sith appear outwardly to be inferior, earlier versions of vehicles that appear in Episodes 4, 5, and 6, which makes perfect sense since the vehicles in the later episodes represent a 20-year evolution of technology. One thing that doesn't make particular sense, though, are that vehicles that have such amazing propulstion technology (hyperdrives, intergalactic travel, etc.) rely on what are basically Napoleonic-era battle strategies (i.e., broadside salvoes of main armament between capital ships) rather than a more realistic strategy of using capital ships as stand-off missile-platforms or carriers for small assault craft which represent the capital ships' main striking power (as in, an aircraft carrier's fighters and attack aircraft). This is to a large extent understandable in the fictional Star Wars universe, as watching big battleships exhanging broadsides is immensely entertaining, probably moreso than watching a big, beautiful star destroyer go down because some stupid A-win crashes through its bridge (apparently, people who have mastered intergalactic travel haven't mastered the art of having backup control centers for a capital ship). It also makes sense since its more entertaining to watch X-wings and TIE fighters dogfight WWi/WWII style rather than a cold, impersonal missile-launch contest. Having said all that, I disliked how this book devoted an entire section to Yoda's escape pod but neglected to have a page for those archaic versions of the TIE fighters that escorted Emperor Palpatine's shuttle to Coruscant at the end of Return of the Sith (when a wounded Darth Vader was being wheeled into the surgery center). It would have been interesting to see a cross section of that spacecraft. Also missing was a cross section of the archaic Corellian corvette that took Bail Organa and Princess Leia to Alderran at the end of the movie, when infants Luke and Leia were split up and hidden by the surviving Jedi to keep them from Vader.

Overall a highly-interesting book that makes an airline flight or wait in the doctor's office go by very fast, but the few missing vehicles put a slight damper on it overall.

See all 18 customer reviews...

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Bent: Australia's Crooked Cops, by James Morton, Susanna Lobez

Download PDF Bent: Australia's Crooked Cops, by James Morton, Susanna Lobez

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Legal proceedings against a former police officer have forced parts of this book to be redacted. Bent law officers exist in every era, sabotaging the work of their colleagues and putting the community at risk. James Morton and Susanna Lobez have illustrated, in several Gangland books, that Australia almost certainly has out-ganged other countries. Now their spotlight is turned on corruption within the police services and identifying which state wins the bent cop handicap. The authors examine the problems that started with the First Fleet and spread through to the present day, looking at the trouble caused by greed, power, alcohol, sex, money, and, most recently, drugs. They compare the experience in Australia with corruption in America, England, and Hong Kong, concentrating in particular on organized corruption at the highest levels, including judges, lawyers, and politicians, through to the petty criminals who work the streets. Which state has the shadiest cops? The answer will surprise you.

• Sales Rank: #9974576 in Books
• Published on: 2015-03-01
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x 1.10" w x 6.00" l, .0 pounds
• Binding: Paperback
• 272 pages

About the Author
James Morton, a former defense lawyer in England, is one of Britain's leading experts on crime. He is the author of more than 20 books, including Brilliant Bread. Susanna Lobez is an Australian broadcaster and former actor and barrister. She has been a legal specialist broadcaster on the radio show The Law Report and on the television show Law Matters. She has written feature articles for the Age and columns for the Sunday Herald Sun. They are the coauthors of the bestselling Gangland series, Dangerous to Know, and Kings of Stings.

Most helpful customer reviews

1 of 1 people found the following review helpful.
greed or temptation too great to resist
By Amazon Customer
James Morton and Susanna Lobez have written a number of Australian true crime books together now, many of which are in anecdotal format. Whilst BENT tends towards that style again, it is considerably more detailed and employs a much clearer narrative connection than many of the earlier books this reviewer has read. As a result of this, it's a much stronger, considerably more informative read than originally expected.

Even when you realise that there's been an extensive culture of corruption throughout not just the Police in Australia since First Fleet Days, BENT really brings home how extensive, how protected and how blatant much of the corruption has been. Not just in the obvious locations such as Queensland in the Bjelke-Petersen era, and the NSW car crash of around the same time. The levels of corruption, and the length of time it was allowed to go on may have varied slightly state to state, but it is rather sobering to think that it's basically been everywhere. Whether it's disaffection, greed or temptation too great to resist, the thin line between the cops and crooks attempting to influence seems to be paper thin. Not helped by the witch hunts launched against so called whistleblowers (who let's face it are the ones who are attempting to do the right thing - yet we stigmatise / label...). What comes through so clearly is the need for leadership, supervision, guidance and intervention. Much of which is often missing, much of which seems to have been corrupted first.

BENT was fascinating and quite compelling reading. It's not a heavy academic treatise on the cause and affect, and likely ways of avoiding all corruption, but it does clarify a lot of intricacies and it certainly gives the reader a picture of the spread of the problem. And this time, because it's less choppy, and more structured and targeted it's extremely readable.

BENT leaves you considering the possible outcomes had the amount of effort, and the level of organisation that has been put into the crime side of the "policing" environments, had gone to actual crime solving.

http://www.austcrimefiction.org/review/review-bent-james-morton-susanna-lobez

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